Vocal Techniques and Interpretation in Performing Chinese Art Songs Based on Mao Zedong's Poetry

Xiang Gao; Yap Jin Hin

doi:10.30560/hssr.v8n3p86

Xiang Gao Sultan Idris Education University, Tanjung Malim, Malaysia; Dalian University, Dalian, Liaoning, China
Yap Jin Hin Sultan Idris Education University, Tanjung Malim, Malaysia

DOI: https://doi.org/10.30560/hssr.v8n3p86

Keywords: Mao Zedong’s poetry, Vocal Performance, Chinese art songs based on Mao Zedong’s poetry

Abstract

Mao Zedong’s poetry significantly influenced Chinese vocal music in the 20th century and has been reflected in the creation of many Chinese Art songs. These songs are highly regarded in the Chinese music industry and are considered great works of Chinese literature and art. However, there is a lack of discussions on Chinese Art Songs based on Mao Zedong’s poetry. This research aims to interpret and perform the musical styles of selected Chinese art songs based on Mao Zedong's poetry. This study encompasses three research objectives. The first is to identify the characteristics inherent in Chinese Art Songs based on Mao Zedong’s poetry. The second objective involves the interpretation of the technical aspects of Mao Zedong’s poetry in the context of Chinese art songs. Lastly, the third objective aims to perform selected Chinese art songs based on Mao Zedong’s poetry in the form of recitals. This study will be conducted through the practice-based research framework, wherein textual and non-textual documentation will be utilized to report on the practice. By exploring the integration of Mao Zedong’s poetry into art songs, this study provides a distinct approach to interpreting and conveying his poetry's emotions, themes, and ideas.

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